Testing a New Lens – The Things You See…

Australia, News and Updates, Photographs, Travel Photography, Wildlife Photographs

Today I took some time in the late afternoon to test a new lens – the Canon 400mm f2.8L IS MKII (I have long wanted to add this exotic piece of glass to my arsenal for both its super fast aperture and superb bokeh). Camera (1DX MKII) and lens (400mm f2.8L IS MKII) in hand, I grabbed a portable hide and wandered down to the local park where Eastern Grey Kangaroos often frequent the open grass areas at dusk. Finding myself a secluded spot just inside the tree line I set up the camera and crawled inside the hide expecting a rather long wait…

From my concealed position I could see a group of Kangaroos out in the field ahead of me; perhaps at 800mm+ range, but too far for anything more than a record shot. They were not particularly active and were grazing in the shade of a large gum tree. A few moments later from around the corner on the walking path comes a lady walking her German Shepard. She spots the Kangaroos, stops and looks around to see if anyone else is around or watching her (she doesn’t see me concealed in a blind inside the tree line). Satisfied she is on her own she lets her dog off the leash and points for it to chase the Kangaroos. Of course, the dog charges off for the Kangaroos, startles them and they scatter. One of the smaller Kangaroos bolts in my direction and I snap off some frames from my hidden position. It was just about perfect with the Kangaroo coming almost directly toward me at full tilt.

Of course, the dog had no chance of catching the Kangaroo and it quickly tired of the chase when it realised it was outclassed. Satisfied the dog had done well the woman called back her dog and went on her way, none the wiser that I had observed the entire fiasco. In fact, neither the Kangaroo, the dog or the woman ever knew I was there. Despite the fact her behaviour was inappropriate the woman had inadvertently set up a great shot for me with exactly what I had been hoping for – a Kangaroo at full gallop coming almost straight toward me. Just about the perfect test for this lens – ISO400 f2.8 1/2000th of a second.

Photo of the Month December 2017 : Ice Climber

Arctic, News and Updates, Photographs, Travel Photography, Wildlife Photographs

The photograph of the month for December (and the last for the 2017 year!) is from my winter snowmobile expedition to Svalbard earlier this year. Taken on the sea ice on the East coast, this large male Polar Bear was climbing this wonderful blue ice to get to the female bear (out of sight behind the ice). I was extremely fortunate to encounter this bear in some absolutely wonderful soft light right at the very end of the day. This was one of many photographs I made during a period of just a few minutes as the bear climbed across the ice.  I am looking forward to heading back to Svalbard in March next year for a month of winter photography.

Getting the Best from Ice and Snow with Canon’s Highlight Tone Priority

Antarctica, Equipment, News and Updates, Travel Photography, Uncategorized, Wildlife Photographs

You never stop learning in the photographic industry and every now and again I learn something that I wish I had known a little earlier. And this is exactly what occurred on my recent Antarctica White Nature expedition (full trip report coming soon). I should have tested this a long time ago, but never did and I think thats because I had mentally written off this setting (Highlight Tone Priority) as just a camera gimmick. If memory serves me correctly I may have even read a test on this feature some years ago on a review site that had more or less written off the feature as being superfluous. The reality is though that Highlight Tone Priority offers some significant advantages for photographers working with ice and snow and that engaging this setting can net you a better file with increased texture and tone in your ice and snow than you might have otherwise have been able to achieve.

Those who have travelled and  photographed with me before know I am constantly harping on about the importance of having both texture and tone in ice and snow (I have written on my blog about this before as well as produced a short video on how to process images with ice and snow). Without texture and tone in your ice and snow you have nothing but flat white areas that are devoid of any depth or life. In fact, short of a major technical error there isn’t much else that will ruin a photograph of ice and snow than a lack of definition (texture and tone) in the snow. So the key to a great file with ice and snow is that you have to have both texture and tone. Well, as it turns out Canon cameras with the Highlight Tone Priority setting have an advantage in this regard.

On my recent Antarctica expedition I was going through the menu system of my Canon EOS 1DX MKII cameras looking for an adjustment for auto focus when I came across the Highlight Tone Priority setting. We were heading out to photograph icebergs on a zodiac cruise in just a few minutes so I decided to actually turn it on and test it. The opportunity was perfect with lots of wonderful icebergs in soft overcast light and I wanted to see if engaging the setting actually had any real effect on the visible texture and tone in the ice and snow. As it turned out, I ended up testing this feature extensively over a period of three weeks.

The Highlight Tone Priority setting is located in the jpeg menu area of the Canon EOS 1DX MKII so you would be forgiven for thinking that perhaps this setting only applied to jpegs and not RAW files. However, Highlight Tone Priority does indeed benefit RAW files and in the case of ice and snow by a not insignificant amount.

From the research I have done and from what I understand Highlight Tone Priority works by trying to optimise contrast and detail in the brightest part of the file by altering the sensor response curve. All cameras have a fixed dynamic range, from shadow to highlight, that they can capture so its important to understand that its not possible to simply increase the dynamic range. Instead, Highlight Tone Priority shifts some of the available dynamic range from the mid-tones to the highlights to produce smoother tones, with more detail in bright areas. Canon describe Highlight Tone Priority in the following way in the Canon EOS 1DX MKII user manual:

Highlight details are improved. The dynamic range is expanded from the standard 18% grey to bright highlights. The gradation between the greys and highlights becomes smoother.

The Highlight Tone Priority setting will be indicated by a D+ symbol in the LCD display when it is engaged. According to Canon you should avoid using Highlight Tone Priority in low light or when shooting subjects with heavy shadows because it may cause more noise to appear in those areas (In my own testing to date I have not encountered this).

Incidentally, the reason you cannot set an ISO lower than 200 with the Highlight Tone Priority setting engaged appears to be because the camera is in effect underexposing the photograph by shifting the ISO under the hood (probably to ISO160 or even ISO100). The net result is better preservation of highlight detail when the Highlight Tone Priority setting is engaged. You could argue you could achieve the same effect by under exposing your photograph without turning on the Highlight Tone Priority. However, underexposing the photograph means you are also increasing the noise to signal ratio and thats never a good idea.

In my own experience and as a result of direct testing over a period of more than three weeks in Antarctica with ice and snow in various light and conditions I have found that enabling Highlight Tone Priority increases the perceptible tone and texture (fine detail) in ice and snow and that there is no negative side effect of engaging this setting (provided you expose correctly). In fact, I noticed a difference immediately when looking at the jpeg preview generated on the back of the camera magnified  at 100%. Once I got the files onto my laptop and was able to look carefully at them I was convinced of the benefit and once I got the files home and onto my high end graphics workstation I was a complete convert. Enabling this setting does produce a file with increased texture and tone in snow and ice than might otherwise have been achieved.I am not advocating that you engage Highlight Tone Priority on your camera for all subjects and that you simply turn it on and forget about it. But I am advocating that you think seriously about trying it the next time you are photographing ice and snow (wedding photographers might also find this extremely useful for brides dresses). For me, Highlight Tone Priority is now a mandatory setting and I have added it to the ‘My Menu’ area on both my EOS 1DX MKII cameras. I will certainly turn it on whenever I am shooting ice and snow in the future.

Firmware: Canon EOS-1DX MKII V1.1.4

Equipment, News and Updates

Canon has released new firmware for its flagship DSLR, the EOS-1D X Mark II.

Firmware Version 1.1.4 incorporates the following improvements and fix:

  1. Support has been added for chromatic aberration correction, peripheral illumination correction, distortion correction, and Digital Lens Optimizer when using Digital Photo Professional to process RAW images captured with the following TS-E lenses: TS-E 17mm f/4L, TS-E 24mm f/3.5L II, TS-E 50mm f/2.8L MACRO, TS-E 90mm f/2.8L MACRO, or TS-E 135mm f/4L MACRO.
  2. Fixes a phenomenon in which standard exposure may not be obtained, or an irregular exposure may result, when Silent LV (Live View) shooting with the following TS-E lenses: TS-E 50mm f/2.8L MACRO, TS-E 90mm f/2.8L MACRO, or TS-E 135mm f/4L MACRO.
  3. Support for Exif 2.31 has been added.

Download firmware v1.1.4 for the EOS-1D X Mark II

 

Qantas ‘Code-Share’ is code for ‘We take No Responsibility’.

News and Updates, Travel Photography

Warning – First world problem / Rant Follows: Just over a month ago I rang Qantas to ask about the upgrade status for my upcoming flight to South America. The flight was booked eleven months ago and was registered for a points upgrade to business. The conversation that follows with the Qantas Premium help desk would be hilarious if it wasn’t so pathetic. Before I could even get through to a human being I was kept on hold for 25 minutes (remember this is their premium help desk). The conversation went like this (after I had input my Frequent Flyer number, personal pin and selected the options I wanted):

Me: Can you please tell me the status of the upgrade request for my flight to South America tomorrow? (I had already provided my booking reference number and flight numbers, phone number, address etc. all to be ‘verified’.

Qantas: Certainly. I see you are on a QF flight number that is code-share with Latam. Therefore, according to our terms and conditions there is no upgrade possible.

Me: Huh? But, I booked a Qantas flight?

Qantas: Yes, I can see that, but we have cancelled that flight and have put you on the code-share flight with Latam. Qantas are not operating a flight anymore on the day of your departure.

Me: But I specifically booked a Qantas flight at the time of the original booking to get the points upgrade as a platinum frequent flyer. You can even see on your own Qantas website the option to select ‘upgrade’!

Qantas: Yes, I can see that, but I am sorry there is nothing we can do. You can try contacting Latam.

Me: If I ring Latam they are going to tell me they cant help me because I am booked on a Qantas ticket.

Qantas: Well… Yes thats correct.

Me: So you are telling me that not only can you not help me, but that Latam cant either. Is that correct?

Qantas: Sorry, thats correct. You are on a code-share flight.

Me: (Getting frustrated now) Look, and please listen, so I don’t have to repeat myself. I deliberately booked a Qantas flight with a QF flight number as a platinum frequent flyer specifically so that I could upgrade to business. If I knew you were going to cancel the Qantas flight, put me on a Latam flight and subsequently deny my upgrade I would have purchased a business seat outright to begin with; or simply, booked directly with Latam.

Qantas: I understand Sir, but you are now on a code-share with Latam.

Me: Ok, (big sigh) we don’t seem to be getting anywhere here. Please tell me how much it is to upgrade my seat to business. Ill just pay for it and chalk this up to experience not to rely on your upgrade system in the future.

Qantas: Let me check (puts me on hold for twelve minutes). Sir, there are no business class seats available.

Me: Did you check with Latam or did you just look for seats allocated to Qantas?

Qantas: I can check with Latam if you wish?

Me: Yes please.

Qantas: Ok (puts me on hold for another fifteen minutes). I cant get hold of anyone at Latam.

Me: (audible groan). Ok, look, I don’t want to go around in circles on this. I just want to be clear that my original booking was a Qantas flight with a QF flight number. Is that correct?

Qantas: Yes.

Me: And I was registered for the upgrade?

Qantas: Yes, I can see you were first in the cue to be upgraded and that you had sufficient points.

Me: And Qantas cancelled the flight and decided to code-share with Latam? (guess they didn’t have enough bookings on the flight to make money)

Qantas: Yes

Me: At which point you no longer accept any responsibility for my registered upgrade?

Qantas: Its a codeshare flight with Latam Sir. As per our terms and conditions code-share flights are not eligible for upgrades.

Me: (Somewhat agitated by this point) Which leaves me with without the possibility of an upgrade, despite the fact I registered for it on a Qantas Flight. And it leaves me without any recourse with Latam who wont deal with me because I am on a Qantas ticket.

Qantas: There is nothing else I can do.

Me: But you haven’t done anything yet?

Qantas: Thats not true, I have told you I cant help you because you are on a code-share flight.

Me: Did you seriously just say that?

Qantas: Sir…

Me: Look, I have lost the better part of an hour of my life dealing with Qantas this morning. I am no better off than I was before the phone call, in fact, the situation is worse because you have frustrated me further. At least I have arrived at the pointy end of my situation realised the folly of it all.

Qantas: What do you mean?

Me: I mean Code-share is code for no one takes responsibility. You wont help me, and Latam wont help me. No one is taking responsibility. Do you have a supervisor there who has any authority to act?

Qantas: Let me check (Puts me on hold for another seven minutes) There is no supervisor available right now.

Me: Look, do you have anyone there in your office prepared to actually take some responsibility?

Qantas: Its not about responsibility sir, its about the fact that you on a code-share flight.

Me: Goodbye. Click.

As you can see I became more than a little frustrated during the course of the conversation with the representative from Qantas. When I arrived at the airport on departure day I personally checked with both Qantas and Latam desks to see if there were any seats available in business (either paying or points) and was told that the flight was totally sold out. If this had been the end of the story I probably would have just let it go, but the story did not end here. When I boarded the plane and the final door was closed ready for take off I stuck my head into business to find it half empty.

Further frustrated by being blatantly lied to I checked with both Qantas and Latam again at the next stop in Auckland. Qantas were beyond useless and simply repeated the ‘code-share’ story and told me the flight was sold out. Latam at least checked to see if there were seats available; which I was again told no, the next segment is also sold out.

Boarding for departure to Santiago I yet again discovered on take off that business was only about half full. I decided at this point to try and see the humour in the situation and simply document the experience in the hope that perhaps someone at Qantas might actually read of my experience and act on it. Subsequently, I sent this entire post to Qantas more than three weeks ago and have not received a single reply to even acknowledge receipt.

I admit, the above is definitely a first world problem. And in light of everything going on in the world it is going to seem trivial or even petty to many, but when you fly as much as I do these sort of things count. Beyond the triviality of it all though is the outright appalling lack of service and responsibility taken by what is supposed to be Australia’s premiere airline. All I can say is I am very pleased with my decision to switch to Emirates wherever possible and that Qantas is going to have to work extremely hard to win me back as a customer.

If Qantas do ever decide to get back to me I will follow up on this post with their response. I am not holding my breath though……

Loaded Landscapes Feature Interview

Antarctica, Arctic, Landscape Photographs, Media, News and Updates, Photographs, Travel Photography, Wildlife Photographs

Loaded Landscapes recently published a new feature interview about my polar photography. Just click the link to read the FULL INTERVIEW.Joshua Holko is a landscape and wildlife photographer who specialises in the Arctic and Antarctic areas. He spends most of his time in remote destinations (or traveling to and from), photographing wild scenes that most people will never experience firsthand. I reached out to Joshua about an interview, and he graciously agreed to answer some questions for our audience. I’m sure you’ll find this interview to be insightful and inspiring.

Lightroom Creative Cloud Classic Keyboard Shortcuts Update 2017

Equipment, News and Updates, Software

Keyboard shortcuts are a fantastic way to save time and speed up your workflow when processing images in Adobe Lightroom. Lightroom has a great many keyboard shortcuts (in fact, too many to remember off hand) and some time ago I posted a link to download a really handy cheat sheet. The cheat sheet has now been updated for the latest Lightroom Creative Cloud Classic; which can be downloaded here: Download the Full Resolution Cheat Sheet. There is also a shortcut sheet for Photoshop. Thanks to Natasha for all the hard work in putting this together.

Ghosts of the Arctic Nominated as Finalist at the Explorers Club Annual Polar Film Festival

Arctic, Media, News and Updates, Travel Photography, Video

Yesterday I returned to South America from two back-to-back expeditions to Antarctica (trip report coming soon). On my return last night I received some fantastic news that the Explorers Club will not only be screening Ghosts of the Arctic at its 4th Annual Polar Festival next month, but that Ghosts has also been nominated as finalist at the festival. Full details of the festival are available online at the Explorers Club.From the Explorers Club website: The Explorers Club is proud to present our 4th Annual Polar Film Festival, with events on Friday evening December 4th, and all day Saturday, December 5th.

Date: Friday, December 4th Time: 6:00 – 9:00 pm Location: Club Headquarters, 46 East 70th Street, New York, NY, 10021

Reservation Notes: Tickets for Friday & Saturday are FREE thanks to our gracious sponsors, Adventure Canada & Canadian Geographic Magazine. Lunch on Saturday is $35, and requires advanced reservations. This is the only charge for the festival, and is optional. To make a reservation, please call us at 212.628.8383, or email us at reservations@explorers.org.

Golden Emperor Penguin

Antarctica, News and Updates, Travel Photography, Wildlife Photographs

Recently I was reviewing my photographs from my Emperor Penguin expedition to Gould Bay in Antarctica last year (Read the Trip Report) and came across this image; which really captures for me the experience of what it was like to photograph these incredible animals on the remote sea ice at Gould Bay. This was our first evening out with the penguins and although we probably did not realise it at the time, we were extremely fortunate to have absolutely superb conditions with hours and hours of golden light and plenty of blowing snow.I will be returning to Gould Bay in November 2018 for one final expedition to photograph the mighty Emperor Penguin and will have all of the final details for this expedition early January 2018. Due to the initial registrations of interest there are only two places remaining before the expedition will be sold out.

New Zealand South Island Masterclass 2018 – Final Year

Landscape Photographs, New Zealand, News and Updates, Photographs, Travel Photography, Workshops and Expeditions

In late April / early May next year I will be running my final Masterclass workshop in the South Island of New Zealand for the foreseeable future. The workshop runs from the 30th of April until the 11th of May and is fully inclusive of all in country transport (private 4WD’s), food, helicopter flights (lots of them), tuition and more. Strictly limited to just six participants this masterclass is really designed to capture the best of the South Island. If you are interested in travelling to New Zealand and photographing in the spectacular South Island you can register you interest in one of the last available places by dropping me an email. Like the 2015, 2016 and 2017 workshops, the 2018 Masterclass workshop also includes extensive use of helicopters for accessing some of the most remote and spectacular country as well as aerial photography of the spectacular Southern Alps and glaciers. If you want to get an idea of the sort of photographs you can make on this masterclass be sure to check out the New Zealand portfolio on my website at www.jholko.com. Full details of the workshop are available on my website as a PDF HERE. You can read a trip report from the 2017 Masterclass HERE and client feedback HERE.The South Island of New Zealand is home to some of the most spectacular scenery and landscapes in the world. Perhaps nowhere else in the world can one see and photograph precipitous mountains plunging into temperate rainforest and wild ocean beaches in so short a space. New Zealand is home to an unbelievably diverse range of subject matter, all packed together in a very small land area. Glaciers, majestic mountain ranges, moss-covered rain-forests, hidden valleys, and ocean-beaten coastlines are among the incredible array of natural wonders found there. It is an island of ever-changing weather and spectacular light conditions. To quote myself, it is a country made for photography.