Iceland the Frozen North Trip Report – February 2016

Iceland, Landscape Photographs, News and Updates, Photographs, Travel Photography, Uncategorized

In late February and March this year I lead my annual winter workshop to Iceland with good friend Daniel Bergmann. For our 2016 workshop we decided to head north for the second part of our trip and spend more time in areas less often visited during the winter months. Heading north in winter is always a bit of a gamble in Iceland in winter. Roads are often closed due to winter snow storms and it is possible to get stuck up north if there are a few days of very bad weather. Thankfully, we were never trapped by the weather, although it did throw up a series of challenges throughout our workshop.IcelandWinter-4266-EditWe ended up loosing the better part of our last full day to a large winter storm that swept down from the Arctic that closed many of the mountain passes. The turn in weather necessitated a hasty retreat from the north a day earlier than we had originally planned. The weather was dramatic, but problematic for photography on occasion. The high winds did give us some pretty dramatic opportunities on the peninsula near Keflavik where we spent our last two nights.

During our winter trip we had a small window of opportunity for Aurora Borealis (northern lights) whilst we were at Jökulsarlon glacial lagoon and again in the north near Myvatn. Our opportunity at Jökulsarlon was somewhat anticlimactic due to heavy cloud cover that obscured the best display. Our chance was better in the north with a faint display during mostly clear skies. If you haven’t photographed the Aurora before it can be an incredibly exciting experience. The camera sees and captures a great deal more colour than the naked eye – so even a faint display can yield some very impressive results in camera.

One of the participants (James Shih) on this years winter trip has published a day by day account of our workshop – included Below. To see James’s images from the trip please visit his blog. I am still sorting through and processing my own photographs from the trip – a few of which are included below with James’s text. You can also watch a short video James put together on Vimeo of his Aurora images.

Iceland Winter Workshop Report by James Shih – Photographs Joshua Holko

(Editors Note: Apologies for the grammar in the below report – it has been translated rom Taiwanese into English by Google Translate). Our group was led by the Australian awarded photographer Mr. Joshua Holko and experienced Iceland photographer Mr. Daniel Bergmann in a small group of 12 photographers, with nationality of Australia、Great Britain、USA、Germany、Canada、Hong Kong and Taiwan,  We visited many winter famous photography spots, including the frozen beach, sunrise and sunset, glaciers lakes of icebergs frozen waterfalls, of course we have also seen the beautiful northern light activities. We took our time to shoot during the 9 days travel, we got some important key points before each shooting event, so the efficiency of photography shooting can be retained, as the member of the group are all experienced photographers, we shared each other with the experiences and equipment, and could enjoy each event, I could feel the strong passion and the spirit of hard job among all of us, looked like treating the photography as part of our living, we harvested by learning with one another and exchange the viewpoints of the advanced equipment, to learn the knowledge of the composition and shooting skill from the other people are the most precious memory. IcelandWinter-4186Day one:  In the morning around 10 o’clock I was collected from the hotel, the transportation is a Mercedes medium vehicle with capacity of total 14 passengers, we started from Reykjavik drove to the east in the southern coast, arrived a port called “Vik”, we shot the famous the three rocks and the frozen beach. After lunch we went to the other side of the beach in the morning, to shoot the sunset and huge waves under the cliff, the sun sometimes showed its face through the clouds, which a treacherous mood aroused among clouds.

Day two:  we got up early for the shooting of the “Cascadas Skogafoss” waterfall, which the water running swiftly down from over 60 meters cliff impacts the viewers, group leaders advised to move rapidly if we would like to shoot some clean waterfall images, because there can be many travel groups in front of the waterfall in anytime (and it was then). Afterwards we arrived the famous glaciers of Iceland, the “Jokulsarlon” lagoon, we would stay 3 nights in this area, we had some shoots of the icebergs along the lakes, there were some sea birds and seals spreading on the ice, the weather was getting unstable as we moved to the other side of the lagoon. We then went to an ice cave, when we crouched in, an ice roof formed by the blue frozen ice revealed, we shot some amazing detailed texture of the ice roof. IcelandWinter-4124(Editors Note: We also had a good deal of fun with photographing a frozen iceman in the caves).IcelandWinter-4135Day three:  we came again to the lagoon but the weather again not stable with small rain, we went to the sea shore close to the lagoon and had some shoots of the wave, by a long exposure about 1-4 seconds of shutter speed, the wave slapped the icebergs turned beautify milky sheets prints on the sea shore. We planned to see the northern lights in the evening, but because of the heavy clouds there was a small aurora activities around mid night, so went back late with nothing.IcelandWinter-4196Day four:  we started late this morning because of the late came back last evening, today we arrived the “Hvannadalshnukun” national park of volcano, the sun coming out now and then, we had shoots of the blue glacier rocks and closing shoot of the texture by telescope lens, because the bad weather we stayed in the hotel to manage our photos for the rest of the day.

Day five:  we came again to the sea shore closing to the “Jokulsarlon” lagoon, there were several big or small icebergs spreading along the winter sea shore, again shot the long exposure images to express the beauty which has no replacement by nature. After lunch we kept east to the port town “Breithdalsvik” where we will shoot sunrise tomorrow morning. IcelandWinter-4201

Day six:  In the morning we started at 6:45 before breakfast, drove about 40 minutes to a valley that scattered with lots of small streams, the morning just broken the peak of the mountains turning orange from the cold blue as the daylight brighter and brighter, we took pictures with both wide angle and tele lens, which gave different mood of the landscape. After the breakfast we moved to shoot the volcano sites which were full of the underground heats and the smell of sulphur in the air, to shoot with long exposure shutter, the heavy smoke soaring to the sky turned out to be a great view. When we came back to the hotel, the sunset view by the lake can’t be missed of its calm and beauty by long exposure, even the sky has been dark but the reflection of residual light against the snowing ground still kept it bright.IcelandWinter-4349-EditDay seven:  Today we started at 10:00 in the morning heading for the “Godafoss” waterfall, which is the most famous waterfall in Iceland, the name of the waterfall is according to the history, that the predecessor of the Icelander decided to have the religion of Christ, and threw the symbol of many other gods to the waterfall. The waterfall are composed by 3 sections, you could already feel its magnificent from far, when approaching close, we felt a huge air stream with water against, the water rumbling down from a height of 12 meters cliff, we should wipe the lens from time to time to have a clear image, the sun was shining occasionally provided a slice of gold light in the waterfall, I tried some fish-eye shoots gave a different prospect, the selection of the foreground should be a key in this landscape shooting. After lunch on the way back we took some images of the snow landscape with bushes, the dark color of the bush against the snow providing high contrast can be good for B&W photos, we met by chance a group of horses, a white one was curious of our presence and came approaching as our model. After dinner the sky getting clear, around 9:00 we found the aurora activities along the lakeside from dimming and getting brighter and brighter, a duration of about 3 hours till midnight, I set the exposure as f/2.8, ISO 800-1600(most of the time), shutter was from 5 to 10 seconds, but to adjust according to the brightness of the aurora is needed. Godafoss in Winter from the top of the fallsDay eight:  Today after breakfast we drove back to the Reykjavik peninsular, the weather forecasting warned a dangerous strong wind were presented, it was nearly not possible for a photography activities.

Day nine:  The weather was not on our side again today, there were small raining except the strong wind. After lunch we have arrived a rock sea shore along the peninsula, no tripod possible with such a strong wind situation, we wanted to shoot some sunset landscape, but the water wetting the lens and nearly couldn’t get a clear images, may be you can enjoy more for a summer Iceland I thought. We had a great dinner of farewell afterwards.

Day ten: the whole journey ended today and say good-bye with one another and hope to see again someday.

Iceland in winter can be quite challenging with weather, but the opportunities in a snow covered landscape can be exceedingly beautiful. Daniel Bergmann and I will be running our annual winter trip again in 2017 and bookings are now open. Just drop me an email if you would like to join us.Iceland-7629-Edit

Book Review: Outdoor Photographer of the Year Portfolio One

Book Reviews, News and Updates, Uncategorized

Outdoor Photographer of the Year has released a brand new hardcover book of the best photographs from the 2015 Outdoor Photographer of the Year Competition. The book includes all of the winning, commended and selected entries with contributions from entrants based all over the world. I am pleased to say that the book also includes three of my photographs from the final round of judging. Presented in hardback with dust jacket the book is over 200 pages and can now be ordered online.OPOTY CoverThe book is divided up into the seperate competition categories. The layout is logical and the photographs have been nicely matched on facing pages. My review of this book is not based on the inclusion of three of my photographs and I would feel the same way about this book regardless of their inclusion or exclusion.

Presentation: The Outdoor Photographer of the Year Portfolio One is in square format in hardcover with dust jacket. The square format was the perfect choice for the broad range of different photo ratios that needed to be included. The presentation is simple and elegant. The paper is a light – medium weight semi-gloss lustre that works well for the broad genre of images included in the book. Although I personally prefer art papers to lustre papers it was a wise decision to choose a paper that conformed to the broad range of genres in this book and that has a deep d-max. The majority of the included photographs are printed with a white paper border to help frame and contain the image and keep the eye from running off the page. There are a few full bleed images and these do help break up the book (although I do prefer white borders). The photographers name is included next to each image, along with their nationality and a short statement about the photograph. Overall, the presentation is clean, thoughtfully laid out and does justice to the photographs.

Print Quality: When I ordered a copy of the Outdoor Photographer of the Year Portfolio One book I was slightly worried that the print quality might not be up to standard (as is so often the case with books that encompass a collection of photographs from competition). I was very pleasantly surprised to find my fears ungrounded. The print quality is about as good as one could hope for. As I reviewed perviously – the 2014 APPA Gold Book is the gold standard in print quality surpassing anything I have yet seen from an offset printer. Outdoor Photographer of the Year Portfolio One isn’t quite up to the same lofty print standard as the APPA Gold book, but it is truly excellent and the publishers are to be commended for producing such quality reproductions.

Conclusion: It is hard not to give this book five stars based on all of the award winning photography included, but in the end I felt somewhat conflicted giving a book five stars that includes three of my own photographs. I am therefore going to give it four stars and recommend that you strongly consider adding this book to your photographic library. If you are a Nature photographer then there is quite literally something for just about every sub genre under the Nature banner. Secondly, every one of the images in this book either won an award or was highly commended in the Outdoor Photographer of the Year Competition. Finally the print quality is excellent and really does justice to the photographs. I recommend you consider purchasing a copy of this book for your library. Not only is it an excellent resource and reference to have on hand by which to evaluate your own work, but it is also contains a hefty dose of inspiration. **** You should own this book and consider it an important part of your photography library.

AIPP Epson Victorian Professional Photography Awards 2016

Landscape Photographs, Media, News and Updates, Photographs, Uncategorized, Wildlife Photographs

The AIPP 2016 Epson Victorian Professional Photography Awards were held here in Melbourne Victoria in February this year. This was the first time in several years that I was unable to attend due to overseas workshop and expedition commitments. Truth be told, I actually hadn’t planned to enter this year. My schedule has been so hectic that I really didn’t have ample time to devote to making prints for the awards. I felt a bit guilty about not entering at the last minute as print competitions are near and dear to my heart and I want to support the local industry and the AIPP. So in the end I opted to enter a finished print from the 2015 APPA awards along with seven other prints that I had been working on and felt were in varying stages of being finished. I split the prints across the Science, Wildlife and Wild Places category and the Documentary category. I was pleasantly surprised to find on my return that not only had the majority of the prints scored Silver or Silver with Distinction awards, but that I was also a finalist in both the categories.

What caught my attention this year on my return to Australia was that a print I previously entered at the National Level in the 2015 APPA Australian Professional Photography Awards that had scored a high Silver with Distinction (falling just short of Gold) (and was part of the winning portfolio for 2015 Global Arctic Photographer of the Year) only scored a Silver at the State level (go figure..) Just goes to show how subjective awards can be at times. The awarded images are included below:Svalbard-9725-Edit _H9P15170-Edit Antarctica-2358-Edit Antarctica2015-5548-Edit Antarctica2015-6409-Edit SouthGeorgia2015-8184-Edit SouthGeorgia2015-8201-Edit Svalbard-8616-Edit-2

 

Namibia Overland Safari Workshop Complete

Africa, Landscape Photographs, News and Updates, Photographs, Travel Photography, Uncategorized, Workshops and Expeditions

Last night I wrapped up my 2016 Namibia Desert overland Safari and I am now making the long journey back to Australia (currently at the airport lounge in Windhoek). I have been on the road since early February with back-to-back workshops and expeditions to the Weddell Sea in Antarctica, Iceland in Winter, the Iceland Arctic Fox Project, Lofoten in Winter and finally Namibia.  This time away amounted to twenty four flight sections and an awful lot of miles travelled. I am now very much looking forward to a couple of weeks at home before I head to the South Island of New Zealand for my Masterclass workshop.

As is always the case it is going to be many weeks before I can sort through all the photographs I made during these trips, edit and process my selects and share them on my website and social media. My priority is actually to now finish my work on the Arctic Fox Project and have the book ready for release later this year (I will also be formally announcing a new gallery showing of this work). In the meantime I hope you enjoy this image from  the abandoned diamond town at Kolmonskop in Namibia. See you back in Australia.Kolmonskop

Arctic Fox Project – Behind the Scenes

Arctic, Media, News and Updates, Photographs, Travel Photography, Uncategorized, Wildlife Photographs

A little over two weeks ago I wrapped up my winter photographic project on the Arctic Fox in the remote north east of Iceland. The project has spanned the last three winters with the final intent being a book to be released later this year. A portfolio of prints from the project is available now for purchase on my website. A behind the scenes video snippet from one of the last days on the project is included below. Just click on the image below to play the video. Full behind the scenes footage coming soon.

ArcticFoxVideoDaniel Bergmann and I also wrapped up our 2016 Iceland Winter Workshop a couple of days ago (full report coming soon). We had a mix of dramatic and challenging weather during the trip; as is often the norm for Iceland in winter.

I am now in the Lofoten Islands in Norway where I will be co-leading a nine day workshop for landscape photography with my friend Martyn Lucas. We are kicking off in the next couple of days and are looking forward to dramatic winter landscapes and possibly even some Aurora Borealis if conditions permit.

Iceland Winter 2017 – The Frozen North Expedition Open for Bookings

Iceland, Landscape Photographs, News and Updates, Photographs, Travel Photography, Uncategorized, Workshops and Expeditions

Daniel Bergmann and I are pleased to be announcing our 2017 Iceland Winter Workshop. The workshop will run from the 23rd of February 2016 until the 5th of March 2017 and will focus on the incredible northern landscapes of Iceland as well as the Aurora Borealis. We will be travelling in a highly modified Icelandic Super Jeep (very large modified 4-wheel drive) so that we can get off the main bitumen road and into the more interesting areas for photography and experience the true splendour of Iceland in Winter. We will be focusing our efforts in the Northern part of Iceland in some of the less visited and more spectacular winter locations. In winter the northern landscapes are covered in snow and the light is often soft and ethereal. There are fantastic opportunities to create wonderful images of the winter landscape.

Godafoss in Winter from the top of the fallsIn late February the darkness of the Icelandic winter is starting to lift and the days are becoming longer. We will have up to ten hours of good light during the day and with a little bit of luck the spectacular Northern Lights will increase our photographic opportunities well into the night. Winter conditions in Iceland can be stunningly beautiful: the glacial lagoons freeze, some of the waterfalls are partially frozen, the glaciers appear more blue with fresh snow on top, the landscape of the north is covered in fresh snow and with fewer visitors. With true darkness in winter comes the possibility of seeing the awe inspiring Northern Lights (Aurora Borealis). We plan to make photographs of them whenever there are clear skies and intense Aurora activity.Aurora over ReykjanestáThis photography workshop will last for 11 days (10 nights). We will be staying in good hotels and guest houses that are functional and clean. Breakfast, lunch and dinner are all included and will generally be held at the hotels where we are staying. However, this workshop is all about photography and we will be putting in long hours in the field in order to ensure we get the best possible light for photography. We may take food and drink with us into the field to ensure we are in the right locations get the best possible light. There will be some moderate hiking on uneven ground and a reasonable level of fitness is recommended. There is no obligation to participate in any hikes and every effort will be made to accommodate any requests.
Iceland-7910-EditThis is a unique opportunity to travel and photograph with two experienced professionals who have a combined total of more than 40 years of photographic experience and can take you to the best locations that are off the beaten track, and at the right time – when the light is best. You’ll be spending 10 days with others who are just as passionate about photography as you are, and to ensure everyone gets plenty of individual attention, the maximum number of participants is capped at twelve.Iceland-7629-EditYou can download a complete itinerary and information PDF HERE. The workshop is fully inclusive of all meals, accommodation and ground transportation as well as all tuition and image reviews. Our 2014, 2015 and 2016 workshops sold out in just a few days so if you would like to join us you can register your interest by dropping me an email or by filling in the registration form on my website at www.jholko.com. You can also visit the Iceland Portfolio on my website at www.jholko.com for more images of Iceland in Winter.Iceland-7851-Edit

Photo of the Month March 2016 – Arctic Fox Fight

Iceland, News and Updates, Photographs, Travel Photography, Uncategorized, Wildlife Photographs, Workshops and Expeditions

I am currently in Iceland and have just completed another ten days in the remote north of this amazing country gathering images for my project on the Arctic Fox. This was most likely my last visit to this very difficult to reach area of Iceland in winter as I now have all of the photographs I feel I need to complete the project (the project will be released later this year in book form and a portfolio of prints is available to purchase now). I am going to miss spending time in the field with these incredible animals, but am looking forward to completing the book project when I get back to Australia. This particular photograph is of a male and female Arctic Fox pair that were play fighting in fresh snow about fifty metres from my snow blind. This was also one of my winning photographs in the 2015 Global Arctic Photographer of the Year Award. This photograph is also available to purchase as part of the newly released Arctic Fox Portfolio collection. Details are on my website at www.jholko.com.

I will be leaving Reykjavik tomorrow and kicking off my annual winter workshop with Daniel Bergmann. We are looking forward to frozen waterfalls, snow covered landscapes and with a little luck the Aurora Borealis (northern lights).Hornvik-9988-Edit

Packing for the Desert of Antarctica and the Desert of Namibia

Africa, Antarctica, Arctic, Equipment, Iceland, Lofoten, News and Updates, Travel Photography, Uncategorized, Workshops and Expeditions

In a few hours I will start the trek to South America where I will lead a twelve day photography Weddell Sea Expedition to Antarctica. On this expedition we are looking forward to giant tabular icebergs in the Weddell Sea as well as vast Adelie Penguin colonies. At the conclusion of this expedition I will travel to Iceland (poles apart) where I am going to spend ten days completing my project on the Arctic Fox before guiding my annual Winter Workshop with friend Daniel Bergmann. At the conclusion of our workshop I am flying to Lofoten where I will lead a new workshop for landscapes in winter with my good friend Martyn Lucas. I then fly to Namibia for a ten day workshop in the oldest desert in the world – the Namib. Its going to be quite the adventure!

This extensive travel schedule means I need to pack my Arctic / Antarctic winter gear as well as clothing suitable for the deserts in Namibia. I have juggled this packing challenge before (two years ago when I co-led a trip to Namibia with Andy Biggs) and found that it was possible to survive in Namibia with just a couple of pairs of light weight trekking pants and shirts (which thankfully don’t take up much space). As a specialised Polar photographer it does feel a tad strange to be packing a wide brimmed sunhat and sunshirts with my arctic boots and winter clothing. The issue of packing is somewhat compounded by the fact that Antarctica, Iceland, Lofoten and Namibia require very different approaches in terms of camera gear which adds both weight and complexity. Perhaps doubly so as I am carrying long and heavy telephoto lenses for my project on the Arctic Fox.

Two Canon EOS 1DX’s and a EOS 5DSR  will be my cameras of choice for these trips. Although the new Canon EOS-1DX MKII has been announced it will be some time before actual delivery and as such I will continue to shoot with the EOS 1DX as my primary cameras.

Gura Gear Bataflae 32L: (carry on luggage – Believe it or not this does all fit in the one camera bag!)

  • Canon EOS 1DX Pro Body Camera x2
  • Canon EOS 5DSR Body
  • Canon 16-35mm F4L IS
  • Canon 11-24mm F4L
  • Canon 24-70mm F2.8L MKII Lens
  • Canon 70-200mm F2.8L IS MKII Lens
  • Canon 6000mm F4L IS MKII Lens
  • 1 x Spare Battery for the 1DX’s
  • 2 x Spare Batteries for the 5DSR
  • Leica Ultra-Vid HD Binoculars
  • Cable Release
  • Assorted CF and SD Cards totalling around 100 Gigabytes
  • Rocket Blower and Dust Cleaning paraphernalia
  • Complete LEE Foundation and Filter Kit with Soft and Hard ND Graduated filters and LEE Polariser

On my last visit to Namibia I carried two TSE lenses specifically for photography at Kolmanskop ghost town in Namibia. This abandoned town is the ideal location for Tilt and Shift lenses and I found them extremely useful during my time there. However, I decided against TSE lenses for this trip as I am already carrying an extensive array of lenses and I want to try a different approach to this location on this trip.

Gura Gear Chobe Bag: (carry on luggage)

  • 15″ Macbook Pro with Lightroom 5 and Photoshop CS6 with the Nik Plugin suite
  • MacBook Power Adapter
  • Canon 200-400mm F4L IS Lens with inbuilt 1.4 TC (Watch the Unboxing Video)
  • 1 x LACIE Thunderbolt External 1TB Hard Drive for in the field Back Up.
  • Various Power Adapters / Chargers and Associated Cables
  • Canon 1DX / 1DS MK3 Battery  Charger
  • Sandisk USB CF and SD Card reader
  • Passport / iPhone / Wallet
  • Portable battery for charging iPhone and other devices
  • A lot of these items I store inside Gura Gear Etcetera cases inside the Chobe. (These cases are fabulous for organising accessories)

On top of the above I have two North Face duffle bags with the rest of my clothes and gear. Getting all of this to Antarctica and then onto forward destinations is always a challenge, but once on location the benefit of having the right equipment makes all the hardship worthwhile. See you in South America…

 

New Website Launch for Joshuaholko.com

Media, News and Updates, Store, Uncategorized

I am extremely pleased today to be launching my new Live-Books HTML 5 mobile responsive website at www.joshuaholko.comwww.photographyexpeditions.com and www.wildphototravel.com (all three links will take you to the same new website). The move to an all new HTML 5 platform has been some time in the works (quite honestly it is at least twelve months overdue). When I launched my original flash website many years ago, it was at the cutting edge of internet website technology. Flash offered features difficult or impossible to achieve via other platforms. It also offered some degree of protection against unauthorised use of photographs. The world and web have long since moved on however and with so many people now choosing to do their browsing from tablet and other mobile devices (which, in the majority do not support Flash) the move to a mobile responsive platform has become mandatory. Over the years my previous flash based website has undergone numerous updates – many of which added complexity that has been difficult to replicate in HTML5. Now these barriers no longer exist and we can offer all of the functionality I was looking for in a fully mobile aware and mobile responsive site. There are many other fringe benefits in the move to the new HTML platform including much larger images, faster loading times and the new Store. To help celebrate the launch of the new site I have some new Folios that are now available for sale. Orders for these still need to be placed manually via email until such time as the e-commerce part of the web-build is complete. If you would like to order one or more of the Folios please just email me in the meantime. I want to thank Live-Books for their continued support over the years and for their efforts in helping me to transition to the new platform and site.  If you stop past for a look please be sure to drop me a note and let me know what you think.website

Photo of the Month February 2016 – Namibia Dune Field

Africa, Landscape Photographs, News and Updates, Photographs, Travel Photography, Uncategorized

The photo of the month for February 2016 was taken on my first workshop to the desert of Namibia back in 2014 with Andy Biggs. We were driving back from an afternoon photography session at Deadvlei and pulled over by the side of the road to explore a sand dune area. I chose to take a short hike up into the dunes and was rewarded with some really lovely golden light in the late afternoon. I was fortunate that there was also some strong wind blowing the sands around which has created a nice surreal sense of movement in the image. I am very much looking forward to returning to Namibia in late March this year for a small group workshop. I am particularly looking forward to more time to explore and photograph in the giant sand dunes at Sossusvlei.Namibia