German Magazine Fine Art Printer Magazine Features Portfolio from Antarctica and Iceland

Antarctica, Arctic, Iceland, Landscape Photographs, Media, News and Updates, Travel Photography, Uncategorized, Wildlife Photographs

German magazine Fine Art Printer has just featured and published a portfolio of my photography from Iceland, Australia, the Arctic and Antarctica in issue #117. You can check out the feature by clicking on the image below to download a PDF of the article. You might need to brush up on your German!fineartprinter

Greenland East Coast 2017 Expedition Announcement – Extremely Limited Availability

Arctic, Landscape Photographs, News and Updates, Photographs, Travel Photography, Uncategorized, Workshops and Expeditions

As some of you are already aware in September and October of next year (2017), Daniel Bergmann and I are conducting two back-to-back landscape photography expeditions to the Scoresby Sund fjord system on the remote East Coast of Greenland. I have been meaning to formally announce both of these expeditions here on my blog for many months now, but have had so little studio time this year that I have just not been able to get around to it. Now, with a few sea days downtime between the Falkland Islands and South Georgia Island I have been able to get all the details online and post up the trip from the ships satellite internet connection.

A few words on Greenland: Home to some of the most extraordinary geology to be found on earth, the red and orange glacial scarred landscape of Greenland stands in stark contrast to the electric blue icebergs that carve off its many glaciers and drift slowly down its precipitous fjords. It is a remote land of untamed and unbridled beauty that is rarely visited and even less rarely photographed. It is an incredible place to inspire the imagination and fuel your photographic desires._H9P15170-EditThe landscape and geology of the East Coast of Greenland is both stunning and extraordinary. Photographing this incredible landscape under soft golden Arctic light is our main objective. In fact, our entire expedition has been planned around us being on location at the best time of year for soft golden light. We will also see and photograph incredible castellated icebergs that have calved off the many glaciers of Greenland. Dramatic glaciers, plunging cliffs and beautiful drift ice formations will be present as well.Greenland DawnThese expeditions have been more than two years in the planning and have been structured to provide the very best possible opportunities to photograph the incredible landscapes of the remote East Coast of Greenland in the Scoresbysund fjord system. With the sun low in the sky and at an oblique angle, late September and early October are the ideal times to photograph this region of the Arctic. Working during the best light of the day we will maximize our time for photography with daily shore excursions with plenty of time to scout, setup and photograph under the midnight sun.Greenland IcebergThe photographic opportunities in the Scoresbysund fjord system are limitless and we intend to take maximum advantage of our time in this area. We will use zodiacs to make daily shore excursions for contemplative landscape photography as well as utilize zodiacs for iceberg photography as we cruise amongst the icebergs and brash ice.Red Island SunriseThe Scoresbysund fjord system is home to some of the most incredible iceberg formations to be found anywhere in the world. As a result of the constant thawing and freezing of the glaciers there is an abundance of icebergs of infinite variety to be found drifting in the fjord system. Many of the icebergs are heavily castellated with electric blue cracks and fractures that are a photographers dream come true. The juxtaposition of these natural sculptures against the orange and red rock scarred landscape is not only awe inspiring in its primordial nature but completely unique. Nowhere else in the world can this combination and beauty be found on such a scale. In photographic terms the landscapes of the Scoresbysund fjord system are virgin ground. Very few expeditions venture into this area of Greenland and even fewer carry photographers.GreenlandAlthough our ship for these expeditions is capable of carrying up to 33 people, the maximum number of participants on these two expeditions has been capped at eighteen. By limiting the number of participants on the ship we ensure sufficient room for photography equipment, shooting positions and zodiac photography for all participants without having to compromise. It also allows us to offer many single rooms without the need for additional cost.

If you are excited by the idea of traveling to the remote East Coast of Greenland to photograph the incredible landscapes of this country with a small group of dedicated and passionate photographers now is the time to secure one of the few remaining places. Due to the initial registrations and bookings there are already only three places remaining on the first expedition and only one place on the second before both expeditions will be completley sold out. Full details including dates, costs and a detailed PDF itinerary can be downloaded from my website at www.jholko.com.

Antarctica Emperor Penguin Bound

Antarctica, Landscape Photographs, News and Updates, Photographs, Travel Photography, Uncategorized

This will be my last blog post for the next ten days or so as I just received word that after significant delays a weather window has finally opened up for our Emperor Penguin group flight to base camp at Union Glacier in Antarctica. As soon as I finish up this post I am headed to the airport for the four hour flight down to the blue ice and the deep interior of Antarctica. From basecamp at Union Glacier its another four an a half hour flight in a smaller twin otter aircraft out to the remote sea ice and the largest Emperor Penguin colony in the world.

I am really excited to be heading back to the interior of Antarctica. This rarely visited part of the continent is one of incredible beauty that very people ever get to see and experience. The bonus of photographing Emperor Penguins with a very small group (there are just five of us in total) is the icing on the very sweet cake. It has been five years since I first dreamt up the idea of taking a small group on a dedicated photographic expedition to Antarctica’s largest Emperor colony and a full three years since I first began planning this expedition. It has also been a full year since I conducted my scouting trip to the interior in preparation for this expedition. To finally be departing with a such a small dedicated group of passionate photographers is both thrilling and exciting.

A few words on logistics for this expedition as to date this trip represents the most complicated, most difficult, and most weather dependant (as well as highest cost) trip I have ever undertaken. Our flight from Punta Arenas to Union Glacier and basecamp in Antarctica is on a Russian Ilyushin aircraft. This massive cargo plane is still fitted with its jump seats (for passengers) but is also used to ferry all of the equipment needed for the expedition to Basecamp. On arrival at Union Glacier we will land on a naturally occurring blue ice runway. From our Basecamp at Union Glacier we will spend a day or so acclimatizing (temperatures at basecamp vary between -10 and -30 Celsius in the summer) and preparing our equipment before we take a smaller dedicated twin-otter aircraft on another four and half hour flight to our advance camp at Gould bay and the largest Emperor Penguin colony in the world. This camp puts us in one of the most isolated and remote locations anywhere on the planet so everything we might need in case of any eventuality or emergency has to be carried in with us. And of course, on departure, we take everything with us (even human waste) so absolutely nothing is left behind. We will spend approximately a week camping and photographing at the colony before we pack and up and reverse engineer our way back to South America.

Being this remotely isolated in Antarctica means there is no internet or cell coverage so the next update should be late November all going well. Image below of our plane having just landed on the ice at Union Glacier from last years 2015 scouting trip.AntarcticaUnionGlacier2015-2155-EditWhat about a Future Expedition? Some of you have already emailed me and asked if I will run this expedition again in the future. The answer at this stage is I am investigating the possibility of a second expedition in November 2018 that would combine the Emperor Penguin expedition with an optional extension for landscape photography into the interior via snow mobiles (I also scouted this last year) with the possibility of a further extension visit to the South Pole.  I will post more on this should I be able to pull it all together around the middle of next year. In the meantime, if you want to be amongst the first to be notified of updates to this future expedition then its best to just register your interest with me now via email. There is no obligation at this point. Emperors-6

Publish or Perish – Social Media be Damned

News and Updates, Uncategorized

We live in an explosive age of photography where prolificacy is seen as a virtuous trait. The mantra is quite clearly, ‘Publish or Perish’.

Quantity over quality is the order of the day as banal image after image is splattered across every single social media platform in a never ending tidal wave of mangled and abused pixels. Photographers (and I use that term loosely) are racing to outdo each other by producing and posting a sheer volume of work that is somewhow supposed to make them a better photographer than the next person. There is a rush to be heard (or rather seen) and an omnipotent narcissistic need for more ‘Likes’ than the next person; as if this somehow gratified the photographer and satiated the ego (or paid the bills). The truth is, it does none of these things – it just feeds the beast and fuels the fire for a continual tidal wave of mediocrity. Its a death spiral that leads only to even more mediocre imagery. How on earth did photography arrive at this situation? Social media be damned.

This age of prolificacy has risen like a dark phoenix from the ashes of the wet darkroom where it used to take skilled photographers many hours of painstaking work to create a quality ‘work of art’. Perhaps only one or two frames from a roll ever made it past the contact sheet and onto paper in the developer tray. It took significant skill and craft to create a good photograph and thus only those photographers who were willing to put the time in to truly learn the craft of photography created truly superb photographs. With the advent of digital it became easy to take, process and share photographs and as a natural result more photographs are being shared than ever before. The problem is, the pain staking work isn’t being done and the net result is an ocean of garbage. This publish or perish mentality has completely engulfed social media and created so much white noise that the task of sifting through the detritus to find those few hidden gems (they do still exist!) has become tiresome at best.

I want to be clear at this point that I understand that many people use Social media to simply share their life experiences through snapshots with family and friends and are not in any way proffering their work as high quality photography. This is really the core of what Social media was designed for – sharing experiences with family and friends. I am instead targeting the large number of images that are being offered up as quality photography (but fall well short of that mark) in the hopes of accumulating gratifying ‘likes’. Its nothing more than a ‘look at me ‘mentality’.

Or, is my assessment of the situation to harsh? Are we being subjected to all of these photographs because photographers are struggling to find an audience for their work? Is Social Media an easy audience?

Even if this is the case (and it may well be so) and photographers are using social media as a vehicle to an audience my point about an ‘ocean of garbage’ remains at the forefront of my thinking. I have given this a lot of thought over the last year and I believe the root of the problem is that a great many photographers simply do not understand what makes a good photograph and lack the insight to be truly objective about their own photography.

If your goal is to improve your photography and to be seen by your peers as a photographer who captures wonderful photographs then I encourage you to think twice before you post and share your next photograph on social media. Ask yourself what you are trying to achieve by sharing your image. Are you just looking for an easy audience? What is it you are trying to say with your photograph? Try and be objective and truly neutral in the assessment of your image. Sit on it for a day or two and then look at it with fresh eyes. Is it really a good photograph? Or, is it merely the best you were able to make on the day? There is a marked and critical difference that many photographers would do well to understand. It is hard to be objective about our own photography; but we absolutely must learn this critical skill if we want to be seen as the producers of quality imagery.

I have pointed the finger of blame pretty strongly at Social media in this article (and in previous) and I firmly believe I am right in doing so. Keeping in mind of course that Social Media is merely the delivery platform for these photographs. Ultimately, it is the photographer who needs to show restraint. However, and to be objective and fair it is important to acknowledge that some people use Social media as a test platform for their photography; putting out their images for constructive criticism. There is some merit in this approach; although I would argue you are unlikely to receive objective and constructive criticism on a social media platform (there is no dislike button!). In truth, I do not believe most photographers use Social media as a test bed for their photography. The reality is thats just a convenient excuse. Most are instead simply looking for gratification of their photography through Likes and comments (although they are unlikely to admit it).

I am sure to have touched a few nerves amongst some with my analysis and thoughts on the state of the publish or perish mentality. And if a few eggs get broken in the process thats ok. What is important is that we remain objective about our own photography and that we are clear on why we share our work through social media channels. Our goal should be to produce the highest quality photography we can and to share those images amongst our peers. I cannot recall who passed on this particular pearl of wisdom with me, but it feels timely to share it. “If you post up ten images and nine of them are totally amazing and the tenth is mediocre then you might as well not have bothered at all.” We are naturally flawed to remember the worst of the series and that drags down the rest. If our goal is just to satiate our ego then we need to look inward at why we take photographs….

The Emperors Expedition and South Georgia / Antarctica Packing List 2016

Antarctica, Equipment, News and Updates, Travel Photography, Uncategorized, Workshops and Expeditions

As is traditional for me, I like to post my packing list before an expedition and this particular list has probably give me more pause for thought than any in recent time. I am packing for both my Emperor Penguin Expedition and Photographers First light Expedition to South Georgia and Antarctica and although the two destinations are very similar (both in Antarctica) they require different approaches. Just as an aside, for those of you who have emailed me asking if I will be running another expedition to the Emperors in the future the answer is ‘maybe’ at this stage. I have pencilled in for a possible expedition in November 2018, but as yet nothing is confirmed. The best way to stay up to date on a possible future Emperor trip is to just drop me an email and register your interest.

In terms of subject matter, the Emperors expedition is absolutely all about Wildlife (as is South Georgia), but the Antarctica portion of the First Light Expedition is ship based with a significant emphasis on landscape and icebergs and that requires some different equipment (at least it does for me). I have decided to take the 85mm F1.2L MKII lens as I have long wanted to use this lens in Antarctica and the Emperor Penguins provide the ideal subject. The lenses depth of field at f1.2 is razor thin making it the perfect tool for getting just the eye sharp. In addition, I am also taking my 600mm F4L IS MKII lens as I have really fallen in love with the telephoto compression of this lens and love the effect it has of bringing the background close to the subject. A 600mm lens is absolutely not required for the Emperor Penguins or South Georgia – it just so happens I love the effect enough to schlep it all the way to the interior of Antarctica and South Georgia Island. I am also packing a Really Right Stuff tripod with Satchler FSB-6 fluid head for the 600mm lens in my checked luggage. With all of that in mind I settled on the following as my selection for these two expeditions:

Gura Gear Bataflae 32L Camera Bag (Carry on Luggage)

– 2 x Canon EOS 1DX MKII bodies
– 1 x Canon EOS 5DSR body
– 1 x Canon 11-24mm F4L Lens
– 1 x Canon 24-70mm F2.8L IS MK II Lens
– 1 x Canon 85mm F1.2L IS MK II Lens (specifically for the Emperor Penguins)
– 1 x Canon 70-200mm F2.8L MKII IS Lens
– 1 x Canon 300mm F2.8L MKII IS Lens
– 1 x Canon 600mm F4L IS MKII Lens
– 1 x Sigma 15mm Fish Eye Lens
Gura Gear Chobe (Carry on Luggage)
– 1 x Apple MacBook Pro 15″ Retina (I plan to upgrade this to the new 13″ model early next year)
– 1 x Apple laptop charger
– 2 x USB 3 2TB external portable Sandisk SSD Drives
– 1 x  Thunderbolt CFast card reader and CF card Reader
– 1 x Sunglasses and sunglasses case
– 1 x Leica Ultra-vid 10×42 HD Binoculars
Etcetera Case #1 (Inside Chobe)
– 1 x Canon 1-Series camera charger
– 2 x Power Adapters for on board ship
– 2 x Canon 1DX spare Batteries
– 2 x Canon 5DSR spare Batteries
Etcetera Case #2 (Inside North Face Duffle)
– 1 x Arctic Butterfly Sensor Cleaner
– 1 x Filter Wrench
– 1 x Zeiss Cleaning Fluid and Lens Cleaning Tissue
– 1 x Micro Fibre Lens Cloth
– 1 x Rocket Blower with Hepa-Filter
 –
I have been toying for some time with the idea of adding the new Canon 100-400mm MKII lens to my arsenal (as a replacement for the 70-200mm), but in the end decided I really wanted the faster 2.8 lens for these particular trips. It should be said though, that the new Canon 100-400mm MKII lens is a really superb optical package at an incredibly attractive price. When you consider the much more expensive and much heavier 200-400mm F4L IS Lens is more than six times the price for very little increase in resolution (although it is faster and has an inbuilt teleconverter) it makes the new 100-400mm MKII a veritable bargain. If you need a flexible and versatile telephoto lens on a budget its really hard to go past this new lens.
In addition to all of the above, I am also taking a CamFi remote trigger system for the Canon EOS1DX MKII system. I recently reviewed the CamFi here on my blog (Read the Review) and am looking forward to trialling this very useful product it in Antarctica.
There is one other important piece of documentation that has become a must have on all my travels and that is an Australian Customs Declaration form. If you are travelling internationally from Australia you can read about the benefit arming yourself with this documentation HERE.

Photo Plus Expo in New York

Before I make my way down to South America and Antarctica I will be spending some time in New York for the Photo Plus Expo and will be presenting at both the BenQ and Canon Stands on Saturday and Sunday as well as the Community College of Rhode Island a few days later. If you are at the show be sure to come and say hello. See you in the New York!14466995_10210904338992494_1634388334_oP.S Christmas will be coming a little bit early for me this year… After much deliberation I placed an order this week for a Nauticam underwater housing the Canon EOS 1DX MKII camera and an optical glass dome port to accomodate the Canon 11-24mm F4L Lens. Although they wont arrive in time for the Antarctic expeditions this year; I am very much looking forward to using them in Svalbard in Winter early next year (with a new ‘polecam’ system for split level and underwater images). My sincere thanks to Peter at ScubaPix for all his assistance with the selection of dome port and accessories for this project.DSC_9367__19597.1462232108.1280.1280

 

Polar Photography Presentation Community College of Rhode Island

Antarctica, Arctic, Media, News and Updates, Travel Photography, Uncategorized

PhotoPlus in New York is now only around the corner (I will be leaving Australia in just over a week). As well as presenting at the Moab, and Legion Paper, BenQ and Canon stands I will also be giving a free Polar Photography presentation at the Rhode Island Community College  on Thursday October 27th between 6 and 8pm. Details Below:14466995_10210904338992494_1634388334_o

New Zealand South Island Masterclass 2017 Sold Out

Landscape Photographs, New Zealand, News and Updates, Travel Photography, Uncategorized, Workshops and Expeditions

I had been planning for some time to formally announce my New Zealand South Island Masterclass workshop for next year (2017) here on my blog; but realised yesterday the trip is actually already sold out. _MG_5661If you are interested in travelling to New Zealand and photographing in the spectacular South Island you can still register your interest to be put onto the wait list. Like the 2015, and 2016 workshops, the 2017 Masterclass workshop also includes extensive use of helicopters for accessing some of the most remote and spectacular country as well as aerial photography of the spectacular Southern Alps and glaciers. Full details of the workshop are available on my website as a PDF HERE.

NewZealand-1988I will be announcing dates soon for the 2018 New Zealand South Island Masterclass. If you would like to get the jump and be one of the first to be notified when dates are confirmed you can register your interest now by dropping me an email. No obligation at this point. You can read a trip report from the 2016 Masterclass HERE.

Moab and Legion Paper feature Antarctica Images at Photokina 2016

Antarctica, Landscape Photographs, Media, News and Updates, Travel Photography, Uncategorized, Wildlife Photographs

If you are attending Photokina in Germany later this month be sure to stop past the Moab and Legion Paper stand where several of my personal favourite photographs from Antarctica are being featured. The photographs are printed 24″ x 36″ inches on the new Moab Juniper Baryta paper (one of my favourite two papers). If you would like to travel and photograph in Antarctica with me there are now only a couple of places remaining on my expedition next year before it will be sold out. Full Details HERE.Ice Fortress HMAS Penguin Pool

Iceberg in Antarctica

Iceberg in Antarctica

ANZANG Nature Photographer of the Year Exhibition

Antarctica, Media, News and Updates, Photographs, Travel Photography, Uncategorized, Wildlife Photographs

The 2016 ANZANG Australia and New Zealand Nature Photographer of the Year exhibition is now open at the Australian Museum in Sydney. The competition received a record 2171 entries in 2015 from nine different countries. I was very pleased to have one of my photographs from Antarctica in the finals. The photograph is on display as part of the exhibition.March of the PenguinsPresented for the first time in Sydney, the Australian Geographic Nature Photographer of the Year 2016 celebrates the extraordinary natural wonder of the Australia, New Zealand, Antarctica and New Guinea bioregions.

Featuring more than 100 inspiring images taken by professional, emerging and junior photographers from around the world, this annual competition documents the story of our region’s unique and ever-changing natural world.

The exhibition is being held at the Australian Museum – 1 William Street Sydney. Unfortunately I will be unable to attend this year due to my travel commitments in Iceland; but if you stop past be sure to drop me a note and let me know what you thought.CM_header_V3

Testimonial from Mary Westerback – Highlands of Iceland 2016

Iceland, News and Updates, Testimonials, Travel Photography, Uncategorized

Hi Joshua,

I cannot ever really express my gratitude for all your help at the Iceland Highlands Workshop with Daniel this year.  I have admired your work for years and love the project you recently did on the Arctic Fox.  

I think the world of you and Daniel and appreciate and love every minute I spent in both workshops. I mean it from the heart about you and Daniel.  This trip was the best trip ever!!!

Arrived home safe and sound and think it will take a few days to recover from travel.  It was quite an adventure at the airports.

Will be thinking of you and Daniel on your upcoming trip.

Best wishes always,
Mary