New Kit – The Singh Ray 3-Stop Reverse Graduated ND Filter

Equipment, News and Updates, Reviews, Uncategorized

My apologies if updates have been a bit few and far between over the last few weeks. I have been pretty snowed under at the office and have not had much time for photography (I can feel the withdrawal creeping up on me); either out in the field, or behind my computer processing images. That is going to change over the coming weeks with Easter now close at hand and some free time on the radar. I even have a new bit of kit to try out!

Singn-Ray Reverse Grad Filter

I recently purchased another filter to add to my seemingly ever expanding collection – the Singh-Ray 3 Stop Reverse Graduated Neutral Density Filter. This is the first Singh-Ray filter I have purchased and I am extremely impressed at the quality of the filter and the packaging – not to mention their customer service; which deserves an honourable mention. To wit, I ordered the filter online directly from Singh-Ray and payed using my credit card in full like any online transaction (some $230 including shipping) and then sat back and waited for the goodies to arrive. Within a few hours I received an email from a very polite customer service person informing me that if I preferred they would send my shipment by an alternative shipping method which would save me more than $30 in freight and save me from Fedex’s own internal fees. ‘Of course’ I said, that would be fine and within a few hours the shipping credit of $30 was credited to my American Express card. I don’t know of many other companies that would pass this saving back to the customer, but I can think of quite a few that would probably just have pocketed the difference. Sing-Ray’s customer service in my experience is first class. I already own an extensive collection of LEE filters and have used them for many years. They have travelled all over the world with me and have been my workhorse filters. My collection is more or less complete when it comes to varying densities of graduated filters; however, LEE do not make a reverse graduated neutral density filter and I have found myself wanting one more and more of late. For those who are interested you can read what a Reverse Graduated Neutral Density Filter is and how they work on Sing-Rays website here Sing-Ray Reverse Grads.

The Singh-Ray Filters are expensive (even more expensive than the LEE filters). At around $230 Australian dollars including shipping for a piece of glass measuring around 6 x 4 inches it seems almost absurdly priced. However, one has to take into account that the filter is dead neutral with no colour cast to the photograph. A quick test with and without the filter in place show no discernible shift in colour and that is a very important advantage for my style of photography since I do very little work to my photographs in post processing. Having to remove or otherwise deal with a colour cast because of a poor quality filter is not something that interests me.

I have not as yet had a chance to use this new filter in the field – But, I am looking forward to putting it through its paces in the South Island of New Zealand in June this year.

Exhibition Opening Last Night

Antarctica, Iceland, Landscape Photographs, Media, News and Updates, Photographs, Travel Photography, Uncategorized

My most sincere thanks to all the people who attended the opening of the ‘New Photography’ Exhibition last night at Source Photographica in Melbourne. The joint exhibition that included some of my work from Iceland last year as well as work from three other Australian photographers has been some months in the making and it was really terrific to see all the work up on the gallery walls. I arrived about an hour after opening and was both overawed and extremely flattered at the turn-out  – I couldn’t even get a car park and had to bump shoulders to even get in the door. I have no idea what the final numbers were for the evening; but I guess there would have been a good hundred and fifty+ people there when I arrived and probably another couple of hundred or so come and go in the hour I was there. And It was still packed when I left.

Thank you again to all those who attended. It was a great pleasure to speak to some admirers of my work in person and I am hugely appreciative of all the wonderful feedback. If you did not have the opportunity to attend last night you can still visit as the exhibition is open until the 21st of April in Brighton Melbourne at www.sourcephotographica.com.au

Source Photographica Exhibition Opening – Exposure News

Antarctica, Iceland, Media, News and Updates, Photographs, Travel Photography, Uncategorized

Source Photographica’s ‘New Photography’ Exhibition opens this Thursday the 7th of April and runs in Brighton Victoria until the 21st of April. The exhibition is open every day from 12pm-6pm and entry is free. Opening drinks are from 6pm to 8pm on the Thursday. This exhibition includes a few select photographs from my Iceland trip last year and is a preview of a larger Iceland Exhibition opening at Source Photographica in September this year. The exhibition also includes the work of David Mitchener, George Kyriacou and Daniel Kolieb. Please see Source Photographica website for further details.

New Zealand – June this Year

Landscape Photographs, New Zealand, News and Updates, Photographs, Travel Photography, Uncategorized

I have been able to align the planets today and confirm a trip to New Zealand for ten days in June this year. I had originally planned on July but other work and office commitments necessitated pulling the trip forward by a few weeks. It will be almost two years to the day since I was last in the South Island of New Zealand and I am very much looking forward to going back – it has been far too long between visits. At this stage I have no real itinerary as yet – just a loose idea in my head of places I want to visit for photography. I will endeavour to put together some sort of plan and itinerary over the coming weeks to ensure I maximise my time there.

Based on my last trip to New Zealand in 2009 I will definitely be taking my entire photographic kit with me as there are wonderful landscape photographic opportunities in New Zealand regardless of lens focal length or camera. I will be moving from location to location in a rental 4WD so weight and bulk will not be too much of an issue. In any case, I prefer to have all of my lenses available even if some of them may actually get little or no use. On my last trip to New Zealand I left my 300mm F2.8L IS lens at home and although I was able to make do with my 70-200mm F2.8L IS with 1.4X Extender I would have preferred to have the 300mm when photographing the Whales and Sea Lions at Kaikoura.

Two definite ‘must-visit’ locations for this trip will be Fox Glacier – which is probably my favourite part of the South Island and the famous Moeraki boulders. The Moeraki Boulders are a number of huge spherical stones, found strewn along a stretch of Koekohe Beach near Moeraki, a small settlement just south of Hampden on New Zealand’s Otago coast. The boulders weigh several tonnes and are up to three metres in diameter. I have not visited this part of New Zealand before nor photographed the boulders so am very much looking forward to this part of the trip. Once I work out exactly where I am going and what my plans are I will post an itinerary of the locations I intend to visit.

This photograph was taken at Fox Glacier by chartered helicopter on my last visit in 2009. If you have really good eye sight you may just spot the very tiny distant helicopter above the mountains!

Cape Shank – Alien Landscape

Australia, Landscape Photographs, News and Updates, Photographs, Travel Photography, Uncategorized

Cloudless skies at sunrise and sunset are not my preferred atmospheric conditions for Landscape photography. In general, I prefer overcast skies (Nature’s Soft Box); or at least some puffy or windswept clouds to pick up the colour of dawn and dusk and add an extra dimension. My weekend shoot at Cape Schank provided only clear skies; which although not ideal for interest in the sky did provide some lovely ethereal golden light, giving the basalt rocks an otherworld alien quality.

Cape Schank – Victoria

Australia, Landscape Photographs, News and Updates, Photographs, Travel Photography, Uncategorized

I managed to sneak away late yesterday on the eve of the long weekend for both sunset and sunrise the following morning (this morning) down at Cape Schank and the Mornington Peninsula. Cape Schank is a fabulous location for landscape photography – certainly one of the best parts of the Mornington Peninsula and is an area I intend to spend more time photographing this year. The weather can be wild on this part of the coast as the point fronts the waters of Bass Strait and is exposed to the full fury of the South’s weather. The wind was howling when I arrived an hour or so before sunset yesterday; which made keeping my lenses free of salt spray quite challenging. However, conditions this morning were ideal with nary a breath of wind, a low tide and some lovely gold light. The basalt rock formations of Cape Schank have a dimensionality that is primordial in nature; which when combined with great and/or interesting light makes for an other worldly alien landscape.

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Exhibition on Moab Somerset Museum Rag

Equipment, Landscape Photographs, Media, News and Updates, Photographs, Travel Photography, Uncategorized

Moab have added a brief blog post to their website on my upcoming exhibition – printed entirely on my favourite new paper – Somerset Museum Rag paper.

Somerset Museum Rag is the newest paper by the acclaimed St Cuthberts Mill in England, who over a decade ago helped create an entire industry when it launched Somerset Enhanced Velvet – one of the first papers used for fine art digital imaging.

Somerset Museum Rag is a pioneer in its own right while remaining true to its history.  It combines an archival 100% cotton heavyweight paper with a smooth surface, sensuous to the touch while durable to everyday handling, with the latest in coating technologies to produce deep, rich blacks with an unparalleled color gamut to make a vibrant image pop to life.

In addition to the inkjet-coated version, the original, uncoated Somerset papers continue to be one of the top papers used by artists worldwide for nearly every form of printmaking.